Howard Jones
Bright, optimistic synth-pop driven by philosophical lyrics and intricate keyboard arrangements. The sound of a 1980s sunrise and a fresh start.
Bright, optimistic synth-pop driven by philosophical lyrics and intricate keyboard arrangements. The sound of a 1980s sunrise and a fresh start.
English singer and songwriter Howard Jones is a central figure in 1980s synth-pop and the Second British Invasion. Between 1983 and 1992, he achieved 15 top 40 hits globally, including the US success "No One Is to Blame." His 1984 debut, Human's Lib, topped the UK charts. Having sold over eight million albums, Jones performed at the 1985 Live Aid concert and remains recognized for his contributions to new wave and pop rock.
Shares digital clarity, layered dense, drum machine (production style); synth-pop, new wave (subgenres)
Shares synth-pop, new wave, pop rock (subgenres); digital clarity, layered dense, drum machine (production style)
Shares synth-pop, new wave, pop rock (subgenres); digital clarity, layered dense, studio polished (production style)
Shares digital clarity, layered dense, drum machine (production style); synth-pop, new wave (subgenres)
Shares digital clarity, layered dense, drum machine (production style); synth-pop, new wave (subgenres)
Shares synth-pop, new wave, pop rock (subgenres); gentle, harmonized (vocal style)
Shares digital clarity, layered dense, drum machine (production style); synth-pop, new wave (subgenres)
Shares digital clarity, layered dense, drum machine (production style); synth-pop, pop rock (subgenres)
Shares synth-pop, new wave (subgenres); digital clarity, drum machine, studio polished (production style)
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