Lush, submerged soul that feels like a warm bath in a dark room. Sophisticated 90s downtempo for late nights and quiet revelations.
Innocence was a pivotal British urban soul project of the early 1990s, primarily a collaboration between vocalist Gee Morris and the production team Anna Mamba (including Mark 'The 45 King' and others). Their sound served as a crucial bridge between the sophisticated soul of the late 80s and the emerging trip-hop and downtempo movements.
Their debut album, 'Belief' (1990), was a critical and commercial success, defined by its use of heavy sampling, particularly the Pink Floyd 'One of These Days' bassline in 'Natural Thing'. This fusion of rock samples with R&B sensibilities predated the massive success of artists like Enigma and Massive Attack. The follow-up, 'Build' (1992), pushed further into ambient territories, sacrificing pop hooks for immersive sonic environments. Though the group disbanded shortly after, their influence persists in the lineage of 'sophisti-pop' and the more atmospheric branches of neo-soul. Critical consensus highlights Gee Morris's understated vocal style as a precursor to the 'cool' vocal delivery that would dominate 90s electronic music.
Shares downtempo, trip-hop, peaceful, soul (signature)
Shares downtempo, trip-hop, peaceful, breathy (signature)
Shares downtempo, trip-hop, ambient techno, whispered (signature)
Shares downtempo, trip-hop, breathy, serene (signature)
Shares downtempo, sample_based, trip-hop, soul (signature)
Shares trip-hop, peaceful, breathy, candlelit (subgenre)
Shares downtempo, trip-hop, soul, breathy (signature)
Shares downtempo, submerged bass frequencies, trip-hop, candlelit (signature)
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