Electronic · FR · Active since 2004

Landscape

Sharp, quirky synth-pop with a jazz musician's precision. Think early 80s futurism, digital drum experiments, and catchy songs about science and cinema.

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Intro

Landscape sounds like the intersection of a high-tech laboratory and a neon-lit dance floor in 1981. Their music is defined by a crisp, almost brittle digital clarity that was revolutionary for its time, anchored by the pioneering use of electronic drums and complex, jazz-influenced arrangements. It is pop music that feels intellectually curious, favoring sharp staccato rhythms and bright, glassy synthesizer patches over rock grit.

What truly sets them apart is the pedigree of the musicianship. Unlike many of their synth-pop contemporaries who were learning instruments as they went, Landscape were seasoned jazz-fusion players who turned their technical proficiency toward the computer. This results in songs that are deceptively catchy but structurally sophisticated, featuring unexpected horn stabs and intricate rhythmic patterns that reward close listening.

Start with the album 'From the Tea-rooms of Mars to the Hell-holes of Uranus'. It perfectly captures their peak era, blending the massive hit 'Einstein A Go-Go' with more experimental, instrumental-leaning tracks that showcase their transition from a live fusion act to electronic architects.

Our Catalog4 Albums · 2006 · 2011
Known ForWeighted across the artist's discography. Tap a trait for examples.
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