Mina Tindle
Delicate, polyphonic folk that feels like a shared secret. Intimate vocals meet rich, chamber-pop arrangements for quiet, thoughtful afternoons.
Delicate, polyphonic folk that feels like a shared secret. Intimate vocals meet rich, chamber-pop arrangements for quiet, thoughtful afternoons.
Mina Tindle, the stage name of Pauline de Lassus, represents a sophisticated intersection of Parisian chanson and Brooklyn indie-folk. Emerging in the late 2000s, her career is defined by high-profile collaborations with members of The National and Beirut, which helped shape her signature 'chamber-folk' sound.
Her debut 'Taranta' established her as a songwriter of immense delicacy, while her follow-up 'Parades' moved toward a more maximalist, art-pop aesthetic under the production of Bryce Dessner. Her sound identity is characterized by breathy, multi-tracked vocals, intricate acoustic arrangements, and a penchant for polyphonic vocal harmonies influenced by her work with Sergio Dias. Critically, she is viewed as a bridge between the classic elegance of France Gall and the modern experimentalism of Feist or Kate Bush. Her work is highly regarded by collectors of modern vinyl for its rich, analog production values and its ability to maintain emotional intimacy despite increasingly complex orchestral arrangements.
Shares chamber pop, baroque pop, indie folk, autumn_walk (signature)
Shares chamber pop, baroque pop, indie folk, autumn_walk (signature)
Shares ethereal, chamber pop, baroque pop, cello (signature)
Shares chamber pop, baroque pop, indie folk, autumn_walk (signature)
Shares chamber pop, baroque pop, indie folk, autumn_walk (signature)
Shares chamber pop, indie folk, autumn_walk, art pop (signature)
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