Hard-driving afrobeat rhythms meet cinematic funk and psychedelic soul. Instrumental music that feels like a high-speed chase through a 1970s desert noir film.
Polyrhythmics are a cornerstone of the modern instrumental funk and afrobeat scene, hailing from Seattle and formed in 2010 by Ben Bloom and Grant Schroff. Their sound identity is defined by a sophisticated synthesis of Fela Kuti-inspired afrobeat, Stax-era soul, and psychedelic jazz-rock.
Unlike many of their contemporaries who focus on retro-pastiche, Polyrhythmics incorporate a 'Pacific Northwest' grit, often utilizing darker harmonic minor scales and fuzz-heavy guitar textures that lean into cinematic noir territories. Their career arc shows a steady evolution from traditional funk structures toward more complex, long-form compositions seen in later works like Filter System. They occupy a unique cultural position as a bridge between the 'jam band' circuit and the serious jazz-funk revivalist movement. Critically, they are praised for their technical proficiency and the 'wall of sound' achieved by their eight-piece lineup. They are frequently cited alongside peers like Antibalas and Budos Band for revitalizing instrumental music for a younger, festival-going audience while maintaining deep respect for analog recording traditions.
Shares afrobeat, fuzz-drenched guitar solos, percussion, desert (signature)
Shares mysterious, desert, trumpet, jazz fusion (signature)
Shares trumpet, jazz fusion, funk, soul (instrumentation)
Shares afrobeat, trumpet, jazz fusion, funk (signature)
Shares jazz fusion, funk, soul, psychedelic rock (subgenre)
Shares trumpet, jazz fusion, funk, soul (instrumentation)
Shares jazz fusion, funk, soul, psychedelic rock (subgenre)
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