Project Jenny, Project Jan

Project Jenny, Project Jan sounds like the internal monologue of a witty, slightly caffeinated city dweller set to a backdrop of shimmering synths and punchy drum machines. There is a distinct 'laptop-pop' quality to the music, where the precision of digital programming meets the messy, organic charm of human observation. It is music that manages to be both intellectually sharp and physically irresistible, often shifting from minimalist glitch to expansive, cinematic pop within a single track.

What truly sets them apart is the vocal delivery of Jeremy Haines, which often leans into a rhythmic, spoken-word style that feels more like a conversation than a performance. This deadpan approach creates a fascinating tension with Sammy Rubin's vibrant, often chaotic electronic arrangements. They occupy a unique space between the irony of mid-2000s indie rock and the earnestness of synth-pop, making music that is as funny as it is technically accomplished.

Start with their debut album XOXOXOXOXO to hear the full breadth of their sound, from the rowdy energy of 'Negative' to the atmospheric storytelling of 'Brooklyn.' It is an essential document of the 2000s Brooklyn indie-electronic scene, capturing a specific moment of creative cross-pollination and DIY ambition.