Squalloscope sounds like a private conversation held in a room filled with strange art and half-finished projects. Anna Kohlweis crafts a sonic world that is remarkably tactile, using a blend of organic instruments, soft electronic pulses, and found-sound percussion that feels like it was recorded just inches from your ear. The music carries a gentle weight, balancing the airiness of indie pop with the structural complexity of chamber music.
What truly distinguishes the project is the multidisciplinary perspective Kohlweis brings to her songwriting. As an illustrator and visual artist, her lyrics function like vivid, surreal snapshots, often using biological or architectural metaphors to describe internal emotional states. There is a playful precision to the arrangements, where a sudden burst of vocal harmony or a toy-like synth line can turn a simple folk song into something much more experimental and rewarding.
Start with the album Exoskeletons for Children. It perfectly encapsulates the project's evolution from the earlier 'Paper Bird' folk roots into a more sophisticated, electronic-leaning art pop sound. It is an ideal companion for moments of creative focus or quiet self-reflection when you want music that feels both intelligent and deeply human.
Squalloscope (born Anna Kohlweis, Klagenfurt, Austria June 30, 1984) is an Austrian singer-songwriter, multimedia artist, illustrator and music producer. Between 2006 and 2011, she used the stage name Paper Bird for her music.
Shares bedroom production, art pop, chamber pop, vulnerable (signature)
Shares surreal abstract, art pop, chamber pop, bedroom production (signature)
Shares art pop, chamber pop, indie pop, alternative rock (subgenre)
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Shares intimate close mic, art pop, chamber pop, bedroom production (signature)
Shares intimate close mic, bedroom production, art pop, chamber pop (signature)
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