The Remote Viewer

The Remote Viewer is the project of Andrew Johnson and Craig Tattersall, both former members of the influential post-rock/indie-electronic outfit Hood. Emerging from the vibrant UK experimental scene of the late 1990s, they became central figures in the 'folktronica' and 'micro-glitch' movements, particularly through their work with the Moteer label.

Their sound identity is defined by a unique synthesis of acoustic fragility and digital manipulation. Unlike the aggressive glitch of contemporaries like Autechre, The Remote Viewer utilizes digital artifacts - clicks, pops, and granular synthesis - to create a sense of intimacy and nostalgia. Their career arc shows a consistent dedication to the 'small sound' aesthetic, often collaborating with members of Mogwai and contributing to the broader post-rock ecosystem. Critical consensus highlights their ability to imbue minimal electronic structures with profound emotional weight, often citing them as a bridge between the pastoral melancholy of British indie and the abstract possibilities of IDM. For collectors, their early 2000s output on City Centre Offices and Moteer remains a high-water mark for the era's experimental electronic music.