
A high-velocity collision of technical death metal and slasher-flick horror. Thick, rhythmic bass lines and rapid-fire percussion define this brutal 2002 effort.
It's like a slasher movie where the killer has a PhD in music theory.
Relentless, calculated brutality with a focus on rhythmic precision and horror-inspired storytelling.
The production is pushed a touch harder into compressed loud than this artist usually allows.
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