It’s Gonna Be Right

Released in 1985, 'It’s Gonna Be Right' represents Cheryl Lynn’s full immersion into the high-tech R&B landscape of the mid-1980s. Produced largely by Jimmy Jam and Terry Lewis (on key tracks like 'Fidelity'), the album serves as a bridge between the disco era and the emerging New Jack Swing sound. While Lynn is often associated with the 1978 hit 'Got to Be Real,' this record demonstrates her adaptability, utilizing the Fairlight CMI and Roland drum machines to create a sharper, more aggressive rhythmic foundation. The track 'Fidelity' became a significant R&B hit, showcasing the Minneapolis-style synth-funk that was beginning to dominate the charts. Critically, the album is viewed as a solid example of mid-80s soul production, though it occasionally trades the warmth of her earlier work for a more brittle, digital aesthetic. It remains a cult favorite among boogie and funk collectors for its sophisticated arrangements and Lynn's unwavering vocal prowess.