Symphony Masses: Ho Drakon Ho Megas

Released in 1993, Symphony Masses: Ho Drakon Ho Megas represents a pivotal turning point for Therion and the wider European metal landscape. Following their more traditional death metal debuts, Christofer Johnsson began incorporating diverse influences ranging from 70s progressive rock to Middle Eastern folk music and jazz. Recorded at Montezuma Studio, the album eschews the polished orchestral bombast of their later career in favor of a raw, experimental approach to 'symphonic' ideas, often using synthesizers and complex guitar harmonies to simulate grander arrangements. Lyrically, it marks the band's deep dive into the Draconian Current and the teachings of the Dragon Rouge, moving away from standard gore or social themes toward high-concept occultism. It is widely regarded by fans as the most 'avant-garde' entry in their discography, bridging the gap between the Stockholm death metal sound and the symphonic revolution that would follow with albums like Theli.