
A double-album masterpiece of post-produced jazz. Live improvisations from four global cities are sliced, looped, and rebuilt into hypnotic, hip-hop-minded grooves.
Global collage peak
Splinters of live double-bass and warm vibraphone loop into dizzying, MPC-cut grooves, carrying the sweat of four different club stages into a singular, late-night headspace. Instead of preserving a single performance, these tracks treat spontaneous stage chemistry as raw clay. You are placed right at the seam where physical jazz improvisation meets the hypnotic, repetitive pulse of underground beat-making, resulting in a collage that feels both deeply communal and intensely focused.
Universal Beings was warmly received by critics, who praised how it integrates live jazz improvisation with post-production editing. Reviewers broadly admired how the project connects four distinct geographic sessions into a cohesive, deeply rhythmic whole that blends acoustic performance with modern beat-making.
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